Yoo Hee Yeol Broadcasting Return After Three-Year Absence Following Plagiarism Scandal
The Korean music industry is buzzing with excitement as veteran singer-songwriter Yoo Hee Yeol prepares for his broadcasting return after a lengthy three-year hiatus. Fans have been eagerly awaiting news about the beloved artist since he stepped away from the spotlight following a plagiarism controversy that rocked his career in 2022. The announcement of his comeback has sparked mixed reactions across social media, with many Seoul Crushers expressing support for the talented musician’s return to the airwaves.

The Unexpected Comeback Announcement
MBC FM4U’s popular radio show ‘Bae Chul Soo’s Music Camp’ surprised fans on April 14th when they revealed through their official social media channels that Yoo Hee Yeol would be taking over as a special DJ. This temporary role, scheduled from April 18th to 21st, will cover for regular host Bae Chul Soo during his vacation period. The announcement marks Yoo’s first official broadcasting return since stepping back from public life three years ago.
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Before his hiatus, Yoo Hee Yeol was a familiar face on Korean television, appearing regularly on numerous entertainment programs. His broadcasting portfolio included popular shows like “The Joy of Conversation,” “Superband 2,” “Sing Again 2,” “Famous Singer Battle Again,” and “New Festa.” Perhaps most notably, he hosted the critically acclaimed music program ‘Yoo Hee Yeol’s Sketchbook’ on KBS2, which showcased authentic live performances from both established artists and emerging talents. His sudden disappearance from these shows left a noticeable void in Korea’s entertainment landscape.
The Plagiarism Controversy That Changed Everything
Yoo Hee Yeol’s broadcasting return comes after a challenging period that began in 2022 when his career was derailed by serious allegations. Music critics and fans noticed striking similarities between his piano composition “Very Private Night” and “Aqua,” a piece by renowned Japanese composer Ryuichi Sakamoto. The controversy quickly gained traction, forcing Yoo to address the accusations head-on.
In a move that surprised many, Yoo acknowledged the similarities between the compositions. “After reviewing the situation, I acknowledge that the main theme of the piece is sufficiently similar,” he admitted in a public statement that shook his fanbase.
He explained that the composition had been unconsciously influenced by Sakamoto, an artist he deeply respected and who had significantly shaped his musical journey.
“Though I believed it to be an original composition at the time, I can no longer deny the similarities between the two pieces,” Yoo continued in his heartfelt apology. The honesty in his admission won him some sympathy, even as others criticized him harshly. “I deeply apologize for failing to examine it more carefully and for disappointing many people. I am especially sorry to Mr. Ryuichi Sakamoto and his fans for causing this unfortunate situation,” he added, showing genuine remorse for his actions.
The controversy eventually led to the end of his beloved program ‘Yoo Hee Yeol’s Sketchbook’ in July 2022. While addressing the show’s conclusion, Yoo clarified that although he accepted the similarity in this specific case, he disagreed with other plagiarism claims that had surfaced about his work. Nevertheless, the damage was done, and Yoo retreated from public view to reflect on his career and the controversy that had tarnished his reputation.
Final Thoughts on Yoo Hee Yeol’s Broadcasting Return After His Plagiarism Hiatus
The announcement of Yoo Hee Yeol’s broadcasting return as a guest DJ represents a significant moment in his career rehabilitation. After three years away from the spotlight, this temporary radio position may serve as a testing ground to gauge public reception before potentially resuming more regular broadcasting activities. Many industry insiders view this careful approach as a smart strategy for someone attempting to rebuild trust with audiences.
For long-time fans, Yoo’s return to broadcasting signals hope that the respected musician might eventually reclaim his place in Korea’s entertainment scene. His honest handling of the plagiarism controversy, while painful, demonstrated a level of integrity that many believe warrants a second chance. The broadcasting return also comes at a time when the Korean music industry continues to evolve, with new talent emerging alongside established artists working to maintain their relevance.
As Yoo Hee Yeol prepares to sit behind the microphone once again, Seoul Crushers can’t help but wonder: Will this brief radio appearance mark the beginning of a full comeback, or is it simply a one-time return to the broadcasting world he once dominated? What are your thoughts on Yoo Hee Yeol’s return after the plagiarism controversy?